Some shows don’t just show clothes—they shift the atmosphere. That’s exactly what happened when Sara Chraibi unveiled Les Cieux at London Fashion Week. From the first look, it was clear: this was going to be a phenomenal runway moment.
Les Cieux, French for “The Skies,” felt like a love letter to something bigger—something spiritual, almost mythological. The models wearing Chraibi’s new collection didn’t walk; they floated. Cloaked in hand-beaded silks and architectural draping that nodded to ancestral craftsmanship, the effect was otherworldly— other-timely. A soft gold palette kissed with earthy neutrals told a story of sun-baked ruins, sacred geometry, and the divine feminine brought firmly into the now.
One gown, sheer and sculptural, shimmered with constellation-like embroidery. Another swept the floor in molten copper, the kind of piece you feel before you see. The detail work—so intricate it could only be handmade—whispered of legacy, of lineage.
Beauty followed suit: luminous, barely-there skin, brushed brows, a soft halo of bronze on the lids—each model looked kissed by light rather than painted. Hair was tucked low and close to the head, evoking priestess energy with a modern twist. It was ceremonial, almost meditative. The kind of look that stops time momentarily.
Chraibi’s Les Cieux didn’t rely on theatrics. Instead, it asked for stillness, and in that stillness, it delivered something unforgettable. The message was clear: in a world of loud, fast fashion, true elegance doesn’t compete—it captivates and that it is what Sara’s collection did.
With Les Cieux, Sara Chraibi doesn’t just design clothing—she creates fashion.
